This has to be one of the best, if not the best film i have seen for a very, very long time. Had enough action to satisfy an fan, and yet the plot was very good. I really enjoyed the film,and had me hooked from start to finish.
Added blood and gore in there, but brought the realistic nature of what happens to the front of the film, and even had a tear jerker ending for many people i should think.
It is a must watch for anyone. Seen many reviews, slating the film, but to be fair, most the films that get bad reviews, turn out to be some of the best. this proves it once again.
Rent this film, buy this film, just go out and watch this film. You will not be disappointed.
Bollywood has experienced a marked growth in revenue in North American markets, and is particularly popular amongst the South Asian communities of such large cities as Chicago, Toronto and New York City. Yash Raj Films, one of India's largest production houses and distributors, reported in September 2005 that Bollywood films in the United States earn around $100 million a year through theater screenings, video sales and the sale of movie soundtracks. In other words, films from India do more business in the United States than films from any other non-English speaking country. Numerous films in the mid-1990s and onwards have been largely, or entirely, shot in New York, Los Angeles, Vancouver and Toronto. Bollywood's immersion in the traditional Hollywood domain was further tied with such films as The Guru (2002) and Marigold: An Adventure in India (2007) trying to popularise the Bollywood-theme for Hollywood.
The awareness of Hindi cinema is however more spread in the United Kingdom, where they frequently enter the UK top ten. Many films, such as Kabhi Khushi Kabhie Gham(2001) have been set in London. Bollywood is also appreciated in Germany, France, and the Scandinavian countries. Various Bollywood movies are dubbed in German and shown on the German television channel RTL II on a regular basis. A considerable number of Hindi movies has been shot in Western Europe as well, particularly in Switzerland, starting with Dilwale Dulhania le Jayenge.
Bollywood's popularity, however, is not greatly matched in the non-English speaking countries of South America, though Bollywood culture and dance is recognised. In 2006,Dhoom 2 became the first Bollywood film to be shot in Rio de Janeiro, Brazil. The feeling was reciprocated as Latin America's largest theater chain, Mexico's Cinepolis, was considering expanding its domains outside the Spanish-speaking areas of the continent as it appeared to be bound for Bollywood.
Directed by Andy Tennant
Mumbai, October 5: An Indian producer is remaking Cellular, the 2004 Hollywood movie about a kidnapped woman who calls a stranger off her mobile phone and begs him to save her life. Speed, which is being directed by Vikram Bhatt, is the latest Indian movie to borrow from the West.
"It is a very unpredictable film with a lot of twists," said actor Sanjay Suri, although many of those twists will be familiar to fans of the original, which starred Kim Basinger.
Other Hollywood homages include Partner, a recent box office hit, which was modelled closely on the Hollywood movie "Hitch", starring Will Smith.
Akele Hum Akele Tum (I Am Alone, You Are Alone), Kaante (Thorns) and The Killer are adaptations of Kramer vs. Kramer, Reservoir Dogs and Collateral respectively. Hollywood in turn has recently been looking to thrillers and horror movies from eastern Asia for inspiration.
International Movies:
Hollywood often has used international styles and filmmakers to its advantage. In its early days, the U.S. film capital embraced European directors such as Fritz Lang and Jean Renoir. The 1960s saw the influence of French New Wave cinema. Japanese films inspired "The Magnificent Seven" and "Star Wars"; Hong Kong works inspired Hollywood blockbusters such as "The Departed" and "The Matrix."
"Slumdog" isn't even the first film centering on India to attract Hollywood's attention.
"Indian cinema has been around in the United States since Satyajit Ray in the early 1940s," Lovece said. Ray, who won the Academy Award for lifetime achievement in 1992, made films in Bengali, a language spoken in eastern India. Despite that fact, his movies, notably "The Apu Trilogy," have had universal appeal.
Since Ray, many Indian actors have emerged on the Hollywood scene. Aishwarya Rai, one of Bollywood's leading ladies, starred in 2004's "Bride and Prejudice" and appeared, more recently, in "The Pink Panther 2."
"India's movie stars are essentially the country's ambassadors," said Gitesh Pandya, box-office analyst and founder of BoxOfficeGuru.com. "A lot of people going to see ["Pink Panther 2"] are learning about Bollywood through [Aishwarya Rai]."
From Ray to Rai, Indian influence in American cinema is vast. Many Hollywood films also have been influenced by Bollywood. Baz Luhrman's 2001 musical "Moulin Rouge," a tragic romance told with song and dance, borrows heavily from Bollywood.
"These big, epic numbers are very reminiscent of Bollywood," Newman said, also referring to "Chicago," "Mama Mia!" and "West Side Story." "Musicals have always been part of the tradition of American cinema, and Bollywood really just took it to the next level."
Hollywood films such as 2008's "The Love Guru" and 2005's "The 40-Year-Old Virgin" -- which ends with a musical dance number -- also borrow from Bollywood, Newman said, but are comedies that parody the enchantment in Bollywood films.
"There's innocence and playfulness in a lot of the cinema in India," he said, which is why Bollywood, in its authentic form, would not appeal to American audiences.
"We're a little more cynical," said Newman. " 'West Side Story' is kind of laughable by today's standards. ... But, for some reason, in India, that innocence is still acceptable."
Joshi said the cultural differences between Bollywood and Hollywood could make it difficult for Bollywood films to cross over to America.
"India is still clinging on to its social values, which explains Bollywood's success everywhere but in America," she said. "Bollywood films don't have any kissing in them or tend not to. Warner Bros. used to make movies like this in the past. ... If it's ready to ready to return to its roots, then it's ready for Bollywood."
American audiences may want to explore Bollywood films after seeing "Slumdog Millionaire," Pandya said, but it is unlikely that they will find another film like it.
"The film is obviously very successful, but it is its own entity so it doesn't necessarily mean that people in this country will wake up to Bollywood overnight," he said. "Bollywood is not for everybody. ... People who love to see Adam Sandler movies are not going to line up to see Bollywood films."
